Enrico and his whistling ferrets
January 14, 2009 – 12:35 pmIt seems this week is the week for waving goodbye to Mostonian tradition and now the end of the road from a Mostonian legend. First of all the closing of the Gravel Pit , the streets where I used to live and hang around are being torn down and now the farewell concert this coming Saturday night of Enrico and the Whistling Ferrets.
Enrico Bradshaw was born in 1937. The son of a Trumpyweed farmer Enrico shown, from as young as the age of two, that he had a talent for music. Able to play the jug, comb and paper and bass kazoo before he attended school he was soon picked for the local band. After a succession of tryouts on guitar, triangle, drums, violin and piano he eventually found his forte at age fifteen when he got to grips with an accordion. It was a marriage made in heaven as he began belting out Irish folk music and his favoured polka music. It would be two years on this instrument before his life and the face of music would change forever.
In 1957 Enrico was listening to his radio and heard Elvis Presley’s ‘Jailhouse Rock’. He wept. This was what he was striving for with the accordion. Rock Polka. A raw edged, driven sound that would appeal to the rebellious youth of the day. He formed a backing band and called it ‘The Whistling Ferrets’. The stage was now set for fifty years of musical greatness.
A stream of hits followed including ‘Shake that moneymaker polka’, ‘My love has only one tooth’, ‘Witch burning polka’, ‘One legged waltz’ and the raunchy “Bend down, grab your ankles and smile’. But still after seven albums, twenty three singles and twelve number ones Enrico felt something was missing.
Jump a few years to 1967. During a practice Pete Grimwade but his foot through a speaker cabinet, ripping the cone. Soldiering on Pete played this new riff he had come up with. Through the speaker came this awesome, mean, heavy sound. Heavy Polka was born soon to be imitated in a more popular form in heavy rock. A lot of the heavy rock bands remade or emulated the majority of Enrico’s classic anthems.
- War Chicks became War Pigs (Black Sabbath)
- Half Bricks became Four Sticks (Led Zep)
- You Can See My Piles became I Can See For Miles (The Who)
- The Riders Name Is Norm became Riders On The Storm (Doors)
- Woman From Harpurhey became Woman From Tokyo (Deep Purple)
Many more examples can be found. A succession of fantasic Rock Polka albums followed and sellout tours ensued.
Over the years he again and again broke new frontiers in Rock Polka, bringing forth new genres. Metal Polka, Big Hair Polka, Grunge Polka and now at their peak finishing off with the style that gave Enrico to a new audience, Death Thrash Metal Polka.
The last album ‘Smutty Death’ was their biggest selling album and with the smash cult hit ‘You can’t smoke peas’ it is regarded as the best of the complete back catalogue.
So come Saturday night I’ll be there, complete with backstage pass (it entitles me to a hot pot supper) to see the end of another era.
